The Zombie movie is a genre of film that has long been in
need of a shot in the arm (perhaps of embalming fluid). The problem stems from the fact that most
films in this genre try too hard to copy George Romero's horror classic Night
of the Living Dead (1968) and inevitably fall far short. That is not, of
course, to say that interesting things have not been attempted (Found Footage,
running zombies etc.) it’s just that these films rarely tend to surprise.
So news that there was to a cinematic adaptation of Max
Brookes’s cult novel gave many hope that this would give the genre a second
life (no pun intended). To a degree
director Marc Forester succeeds in giving us something new, at least part of
the way. The opening of the film is brilliantly
done. Our main characters are found in
blissful domesticity with only vague rumblings of danger in the background
until the catastrophe finally erupts around them. After that it has to be said things take a
bit of a dip. This is not to say that film
becomes boring simply that it becomes a bit lacking in direction.
The remainder of the movie follows Gerry Lane (Brad Pitt) a
UN employee who is trying to track the zombie virus to its source and thus find
a cure. Whilst these scenes on their own are good, compared to the opening they
feel slightly rudderless. It turns out
that the likely reason for this for this might be down to the somewhat troubled
production history. Major rewrites were
necessary in order ultimately bring the story to the screen. The irony is that
the section of the film most affected by these changes (the ending) is the
section where the movie really pulls itself back together.
Much of the strength of the film can be attributed to the
performances. Pitt does a good job although his character has some truly
ridiculous lines and Mireille Elios really captures the helpless inactivity of
his wife Karin safe but separated from him.
Even minor characters allow their
actors the chance to shine. The
performances of Pierfrancesco Favinos (doctor)and Daniella Kertez particularly stand out. These characters add emotional weight to a scenario
that many moviegoers have become accustomed to.
The ending, as mentioned earlier, is one of the movies strong
points. Something which has plagued the zombie movie genre is endings which
tend to blur into one. World War Z does
not follow this set pattern. Whether this is due to genuine good planning and
forethought or the film’s troubled production is not clear (interestingly the original
ending was far nearer to the norm).
Although not the greatest movie ending in history it moves the characters
into a new place and gives the audience a more thoughtful open ended
conclusion. A refreshing change from the
usual “everyone’s dead” or jump scare endings.
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